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The Musical Imperative, Simon V. Anderson

The Musical Imperative

by Simon V. Anderson

A bold innovation when it appeared in 1984, this book changed the manner and content of all music appreciation books thereafter. More than 40,000 copies have been sold to date.

In contrast to traditional musical appreciation books, "The Musical Imperative" treats all fields of music with equal respect, so the reader understands how classical music is different from - but grows out of the same human emotional needs and desires - as the pop and folk styles that make up the musical environment.  

PROLOGUE

A NEW POINT OF VIEW

INTRODUCTION. The Meaning of Music

Part I   PRINCIPLES, PROCEDURES, AND RESULTS
CHAPTER ONE. Common Components
Tone
Rhythm
Melody
Harmony
Texture
Expressive Devices

CHAPTER TWO. Principles of Single-Unit Musical Form
One-Part Form
Binary Form
Ternary Form
Rondo Form
Piano Rags and Military Marches
Theme and Variations
The Blues
Big Band and Combo Charts
Sonata-Allegro Design
Contrapuntal Forms
Mutational Form
Through-Composed Forms

CHAPTER THREE. Principles of Multi-Unit Musical Form
The Collection Principle
The Pattern Principle
The Narrative Thread Principle
The Emotional Syndrome Principle

Part II   INSTRUMENTS AND INSTRUMENTAL FORMS

CHAPTER FOUR. Instruments and Instrumental Combinations
Scientific Categories
Common String-Dominated Ensembles
Common Horn-Dominated Ensembles

CHAPTER FIVE. Instrumental Forms
Suite
Sonata
Concerto
Sonata Form-at-Large
Overture
Symphonic Poem
Concept Album
Miscellaneous Instrumental Forms
Dance

PART III   VOCAL AND VOCAL-CHORAL FORMS

CHAPTER SIX. Voice Classification and Singing Styles
Country Voices
African-American Voices
Mainstream American Pop
Rock
Classical Voices

CHAPTER SEVEN. Choral Groups and Vocal Ensembles

CHAPTER EIGHT. Small Secular Forms for Voices
Soloistic Song Types
Soloistic Song Forms
Small Choral Forms
Miscellaneous Forms

CHAPTER NINE. Large Secular Forms for Voices
Song Cycles and Concept Albums
Opera and Opera History
Common Ingredients in Musical Shows
Miscellaneous Shows

CHAPTER TEN. Small Sacred Forms for Voices
Psalms
Hymns
Chorales
Motets
Anthems
Spirituals
Religious Pop Tunes
Miscellaneous Works

CHAPTER ELEVEN. Large Sacred Forms For Voices
Mass
Oratorio
Cantata
New Developments

PART IV SOCIOCULTURAL AND HISTORICAL THREADS

CHAPTER TWELVE. A Theoretical Study Model

CHAPTER THIRTEEN. Classical Music
Cultural Frame of Reference
    Sociological Roots - A Teutonic Art
    Psychoemotional Traits - Linear Time
    Musical Results - Architectural Order
    Topics of Concern- Achievement Values

Historical Review
    Birth of the Genre - Renaissance
    The Baroque Era - Bold Theatricality
    The Classic Period - Reason Reigns
    The Romantic Period - The Heart Knows
    Modern Times - (a) Early 20th Century
                              (b) Contemporary Music

CHAPTER FOURTEEN. African-American Music
Cultural Frame of Reference
    Sociological Roots - The Black Experience
    Psychoemotional Traits - A Communal Art
    Musical Results - Dramatic Improvisation
    Topics of Concern - Religion/Love/Blues
Historical Review
    Birth of the Genre - Blues and Ragtime
    The Baroque Era - Dixieland
    The Classic Period - Big Band Jazz
    The Romantic Period - A Be-Bop Revolution
    Modern Times - Free Form/Fusion/Salsa

CHAPTER FIFTEEN. The Broadway Musical
Cultural Frame of Reference
    Sociological Roots - The Eastern Seaboard
    Psychoemotional Traits - High Energy
    Musical Results - Musical Comedy Standards
    Topics of Concern - Urban Social Issues
Historical Review
    Birth of the Genre - Early Entertainments
    The Baroque Era - Follies and Scandals
    The Classic Period - The Show Boat Model
    The Romantic Period - Rodgers and Others
    Modern Times - Something Old/Something New

CHAPTER SIXTEEN. Country Music
Cultural Frame of Reference
    Sociological Roots - An Anglo-Celtic Way
    Psychoemotional Traits - In Due Time
    Musical Results - Keep it Country Clean
    Topics of Concern - Religion/Love/Cheatin'
Historical Review
    Birth of the Genre - Mountain Music
    The Baroque Era - Radio and Records
    The Classic Period - Singing Cowboys
    The Romantic Period - Country Goes Public
    Modern Times - Big Business Now

CHAPTER SEVENTEEN. Rock
Cultural Frame of Reference
    Sociological Roots - The Baby Boom
    Psychoemotional Traits - Instant Time
    Musical Results - A New Beginning
    Topics of Concern - Modified Value Systems
Historical Review
    Birth of the Genre - White Rhythm and Blues
    The Baroque Era - Elvis and Rockabillies
    The Classic Period - American Bandstand
    The Romantic Period - The British Invasion
    Modern Times - MTV/Rap/Metal/Dance Rock

EPILOGUE

INDEX

 

ISBN:915725010
2nd Edition. Paperback. 1992

$12.95

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The Musical Imperative

The Musical Imperative - Third Edition

by Simon V. Anderson

For a one-semester class or for quick reference. Also suggested for high school and junior college courses. The book is a highly abbreviated version of Edition II, but contains the same basic historical and theoretical content. It has a greatly enlarged section of time-line biographical sketches of the most important composers in each historical period.  

Prelude - The Meaning of Music
Chapter One - Common Components
Chapter Two - Principles of Single-Unit Musical Form
Chapter Three - Principles of Multi-Unit Musical Form
Chapter Four - Instruments and Instrumental Combinations
Chapter Five - Instrumental Forms
Chapter Six - Voice Classification and Singing Styles
Chapter Seven - Choral Groups and Vocal Ensembles
Chapter Eight - Small Secular Forms for Voices
Chapter Nine - Large Secular Forms for Voices
Chapter Ten - Small Sacred Forms for Voices
Chapter Eleven - Large Sacred Forms for Voices
Chapter Twelve- Classical Music
Chapter Thirteen- Jazz
Chapter Fourteen- The Musical Stage
Chapter Fifteen- Country Music
Chapter Sixteen- Traditional RockPostludeThe Meaning of Music Appreciation

ISBN:0915725061
3rd Edition. Paperback. Loose leaf. 2001.

$14.95

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